from his roots in early italo disco , a sound that inspired him since his childhood, this mysterious producer comes out with a genuine gem of pure balearic and disco mood, among the use of real hardware and various instruments creating this classic extended disco version that sounds in an actual disco edit style, even if the song is brand new. leading the voice is the huge, a magical voice and multi instrumentalist from italy: the combo between the two is explosive, mellow and at the same time light and pure. then the remix by melchior sultana, famous for his collaboration with owen jay on jus eds label (underground quality), creates a magical and elegant slow tempo version, chilled and funk at the same time, with a totaly new mood and some real rhodes and guitar played and sequenced in an akai mpc sampler. last the house electro disco dont play minimal, play minigolf, that follows a hypnotic mood bass synth, accomplished with ethereal chords and a super funky trumpet, sampled directly from will powers masterpiece of the early 80s…. ta ta taaa

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

spirit delivers his homage to the legendary amen break, >brother from another planet< as moody mystical pads and twisted distorted subs give way to a pounding bass hook. fellow horseman and renegade hardware stalwart, friske makes his inneractive debut with a classic dark and heavy thumper in >the storm<, loaded with growling subs, echoing stabs and furious beats. big support from bailey, total science, raiden, storm and many more.

a new 3-track 12 by canadas solvent, known for his melodic electro and vocoder pop releases on ghostly, morr music, and his own suction records. for minimalrome, solvent debuts a new approach, so please dont expect any sweet solvent melodies this time, in fact, dont expect any melodies at all. here solvent delivers 3 tracks of pure bunker/rephlex-style acid, monotonous and pounding. fasten is the most straight-up acid track present, nothing but 707/606 percussion + x0xb0x squelch. latch and secure are more dark, abstract, dirty. secure is epic madness, clocking in at over 16 minutes, at times slow and prodding, elsewhere growling furiously in sheets of distortion. every track has been edited down from hour+ long hardware studio jams, with the computer acting strictly as a multi-track audio recorder. solvents customized acid box, a heavily modified x0xb0x, features heavily on every track, alongside classic techno boxes like the 808, 101, and pro one. limited to 250 copie

reloop play audio-interface 4x out audio-interface mit professioneller 24-bit soundqualität reloop play bietet dank seiner durchdachten anschlussmöglichkeiten 2 play-modes. zum einen gibt es den external mixer mode: hier ist es möglich 2 getrennte stereo-kanäle auf ein externes mischpult zu routen dieser modus wird professionelle traktor-user freuen. der zweite modus ist der sogenannte controller mode: in diesem fall wird ein master-ausgang zur anlage geroutet und ein kopfhörer kann direkt am interface angeschlossen werden dieser modus ist besonders für laptop-djs ohne weitere hardware geeignet. die lautstärke beider stereo-kanäle lässt sich komfortabel durch getrennte regler justieren. ausstattung: hi-speed usb 2.0 mit low latency asio/core audio-treibern 2x stereo cinch (rca) out, 1x stereo kopfhörer-anschluss auf 6.3 mm signal-status leds zur direkten, visuellen Überwachung getrennte lautstärkeregler für channels 1 und 2 bzw. master und kopfhörer diebstahlsicher: kensigton-lock. lieferumfang: asio-treiber cd, usb-kabel. systemvoraussetzungen: kompatibel mit mac osx® und windows® xp/windows vista.

highly reccomended cutting edge club music. machines state is lucretios own label. all the tracks are produced only with hardware machines, mixed on analogue desks, recorded on tape and released on vinyl polymers

this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail. grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

during the years modulate recordings has moved from strength to strength and now she picks up the pace with another piece of italian dnb history. this double a sided 12 inch showcases the work of our most acclaimed rome based producers aeph, dabs and maztek from subculture who recently signed for renegade hardware. madbox is a blend of razor sharp beats, rumbling synths and 80s retro arpeggios with an amazing dubstep breakdown that will simply blow the dancefloor off. floating is a relentless techy tune made with mazteks unmistakable style and top-notch quality, showcased on state of minds >next level< podcast 001. all in all, this double single is awesome and these guys are a force to be reckoned with.. check it!

some producers are just so underrated that it makes you sick. quadrant is a formation thats been around since 2005 and has released tracks on prestigious labels like renegade hardware, citrus, fokuz to name a few. the quality of their output is extraordinarily crisp and original that its hard not to notice them, this dermaphoria ep is exactly that. and as allways this quadrant release comes with a sexy cover by designer mesk.

spun presents the neurofunk legends synthetix & corrupt souls! these artists were a big hype from 2003 - 2006 with their very own unique sound and caused mayhem in the scene on labels like renegade hardware, obsessions, freak, black sun empire, disturbed and many more. spun came up with these 2 forgotten gems that still sound fresh. neuro heads will love the freaky sound of the a-side with the unmistakable heavy stepping beat and neurotic synths. the vibe reminds us of the good old days while the flip will fit in every djs set with its heavy percussion, siren like sounds and heavy synth stabs! still fresh! only limited available, so grab it while you can.

first on decks.de!!! notoriously spunky, mix mup drops a new record which is gonna be the rotgut to your party. once again its hardware which he uses to expose his twisted mind. this time around its an encounter with 2 dirty, fondling tracks together with 2 adequate bonuses. alright! so, just let your needle jiggle through this poly vinyl incident produced by your friendly, slightly scruffy pal - mix mup. brought to you by spunky monkey records. black vinyl in unlimited very, very good condition - if you know how to use it.

we again two flying something objects are located in the orbit, waiting for permission to land on your turntables and in the lay-by of your recordbag. this time with 13 pieces of stl deep shakin house madness, mindscratching lo-fi grooves, cranky energized synth activities, dope loops and sound effects. all pressed on a delicious double vinyl album with a limited printing of 500 covers! the music is all hardware based and sequenced. recorded in live sessions without any computer arrangements. surely the style is not for everyone and compared to others, probably seems a bit unconform, cat-headed or sometimes just different. but it s always true spiritual. an open minded artform with the sense for functionality. every track is talking to you in musical form without any barriers straight down to your feet and feeling. as in all something releases there is much sound personality and imagination inside, giving the listener a ticket to the fascinating world of beat orientated something music. get on board and enjoy the trip.

enter genotype Ë after the huge success of offkey #20 the remixes, we are proud to bring you genotype. an old school hardware legend that is now back on his a-game. this 12 inch for ok takes a step away from his dubbed-out outings soon to be available on voodoo music & exit. the two tracks are >mystical mentality< b/w >the real deal<. it is now genotypes turn to put his stamp on the offkey blueprint.

after a lengthy break from the electronic music world, genotype is back with an lp for exit records and provides a lesson in stripped back dub influenced music at approximately 170 bpm. having started his music career in the mid nineties under the legendary alias just jungle, with releases on the massively influential labels of that era such as trouble on vinyl, renegade hardware and reinforced records, its no surprise that he has managed to capture the essence of rawness in his recent music akin to the early years of jungle. many producers have tried and failed to bring back the old skool sound with an original flavor but genotype has managed this by resisting the temptation to lash in the tired old classic breaks and instead has drawn for the more organic sounding percussion and drum kits. the dubbed out theme runs throughout the album paying homage to his love for west indian music which he has been involved in for many years and naturally influences the music he creates. genotype is a man of few words and prefers to let his music do the talking so check out the album and draw your own conclusions.

beretta grey proudly brings to you the >finite ep< by the talented new producer hailing from san francisco, christina chatfield. christina chatfield was raised in a family of classical musicians, geographically and culturally located between the warm jacking beats of chicago house and cool soulful stabs of detroit techno. espousing her genetically rooted appreciation for music, christina attended the berklee college of music in boston where she quickly absorbed every detail of electronic synthesis and began her analog hardware and studio gear addiction. with the >finite ep< on beretta grey, christina has created two timeless pieces of music that are sure to please intelligent dance floor goers around the planet.

9am is the new brainchild of gaffy and paris collective! a group of artists who are set to take the world of electronic music by storm with their organic and uniquely creative work. gaffy, an accomplished pianist since his youth, and an artist whose passion for hardware and synthesizers has lead to him creating some of the most exciting music set to come out of france over the coming months. as a dj, gaffy has travelled europe playing some of the finest floors from paris to ibiza, london and beyond.

the something vinyl series continues this time with seductive house tunes and deep moments for the dancefloor and places beyond. five tracks and four bonus loops makes this the next typical warm vibrating something record, you have probably already expected. as the title suggests, its not a perfect clean and faultless production. there is the dirt and a sound inhabitant, for what stl records are well known for. experimentations in the worlds of hardware based tone generators and at the limits of analog signal processors. the tracks also deliberately dispense much static computer arrangements and were recorded mostly in live sessions to capture the actual feeling for each song. every being is a universe of its own, with all it s known and unknown places. there are mistakes and inner strangers which are made to learn and grow. this record is a recent snapshot from someones life, where the love for music and sound is maybe the most beautiful mystery!

it is incredible and a little unnerving to discover that rio padices first forays in production came as recently as 2007. 2008 saw him publish his first productions on mosaik musik, which were of a more minimal, techno nature. 2009 saw the successful collaboration with metroline limited, which has spawned a a number of releases and remixes, most notably his road to alberqueque and twin peaks eps. the same year also saw rio join forces with massimo di lena under their new alias >horacio< to release two ep s on the highly acclaimed raum musik and cynosure labels.with rio currently devoting his time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them

new label foto recordings launches with two reworks from glasgows ooft! music. showcasing some seriously deep house on the a-side, ride in to the red zone is ooft!s homage to those early 90s new york dons. meanwhile on the flip a certain classic disco jam gets reworked into a simple club banger courtesy of some chopped samples and added hardware. simple but effective.

on his first release, >muskelminne ep<, gunnar delivers an indian summer love song, >massagerutin 1<, some deep and glistering morning music with the track >morgonanga< and ends with the raw but perfect bonus beat, >lilla huset pa prärien<. or as gunnar jonsson puts it: >i just want to have a good time with music, no steroids, no tricks, just some soft grooves and some hardware fun. i love older electronic instruments, the way they look and sound makes me feel good inside and gets me going.< eat healthy and ride a bike between the studio sessions that is gunnar jonssons vibe. it is our wish that this ep will end many summer night dance floors.

mysterious producer under the name june, composes a three track ep ranging from trippy acid house to chicago. we found out the tracks were composed solely on hardware machines between 2007 and 2009, each one in the month of june. the a side sticker carries the >flaming june< painting while the b side is individually hand stamped. limited to 400

the stl project continues with warm, soulful and dirty sounding tracks from the basement. this record features five moving deep chicago flavoured house tunes, plus the always appearing dope loops on the b-side. oldshool stylish melodies between raw and colourful beats, channeled through vintage hardware equipment direct to your ears. evolving percussion patterns will make you get inside the groove and feeling of each track. things for the dancefloor and moody listening places. ruff house music without any frills! besides the great stl tracks, there is also a dubby rmx from intrusion echospace.detroit on the flipside, which will get you even deeper into sound. something vinyl series 11. grab yourself one copy as long as you can!

this is the second release by antonelli for dreck after his boogie ep in 2007. in classic antonelli working method the material here is made without a cpu, just with hardware. this gives the tracks a warm feel and a sense of an older mode of production, but nevertheless the two tracks are fully rooted in the now! stefan schwander starts out with the idea of the bassline as a genre-defining element in music. he then works from this central idea towards an euphoric and a reductive version, resulting in the two tracks here at hand, >disconnected< on the a side, and >operatore< on the b side. they both feature a beautifully analogue disco (if not moroder) bassline, build up continuously without ever meandering or loosing direction - very straight and pushing the dancefloor forward with >operatore< being the more bouncy and carefree track of the two.

ac records first release. the new label is a division of acidlab (normally known for its analogue hardware clones) with a focus on promoting dark, electronic music by unknown artists. a1 - >viva olive< is a dark psychoacoustic acid track by hteah via portland, oregon. his time at present is spent building his soundsystem and helping manifest semi autonomous festivals. a2 - > tip-tilt< is a spacy acid groover by glum-c. b1+b2 are hard dancefloor tracks by db24 (steve romani) from lyon. steve is a studio rat with a lot of music output. the record comes in olive-coloured marbled vinyl and is limited to 150 records.

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

this is the first release of aoki takamasa on raster-noton.
aoki was born 1976 in osaka and is presently resident in berlin, germany. he has been releasing music since 2001 and ever since has been reviewing his personal methodology whilst actively creating sounds based mainly on computer/software. aoki is an energetic artist vigorously expanding the limits of original musical expression. he enthusiastically pursues an expansive variety of techniques of expression via a broad array of software and hardware. the rhythm and groove created by driving the cpu to the max may seem extreme. however, the respect and the inquiring mind to the root existence of the art expression of music keeps flowing incessantly.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

incl. rmx by kabale & liebe and julien chaptal big with: mike shannon, luciano, loco dice, laurent garnier, matt star, butane, seuil, seth troxler, brett johnson, someone else, brothers vibe, daniel dreier, jermemy p. caulfield, mark henning, dario zenker, lee jones, luciano, lee van dowski, kabale & liebe, ryan crosson, anthony collins, lee curtiss,... after a short summer break cityfox is back with its 3rd release. gregorythme, who already released the last record as one part of digitaline, shows us again his masterskillz on the synthesizer. the result of the close relationship to his hardware is the futurama ep. the title track indeed sounds very futuristic, maybe retro-futuristic to quote lee jones: >it sounds like a 1970s idea of the soundtrack to the future. this would be the easy listening music piped into every monorail in the future cities.<

squire from dnaudio again proves his a&ring ability with the latest release on his resolute imprint. bhxs >black gold< rocks the spot, energetic all the way. >old haunt< courtesy of teknik finishes things off. teknik has recorded on soul:r, project 51, renegade hardware, citrus and many more leading tech labels.

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

the labelhead seuil and his parisian fellow tolga fidan (already known for his amazing work on vakant and cocoon) decided after spending months talking and sharing a common passion for hardware gear and modular sounds to step in the studio together and try to perform and record some complex orgainc grooves. the result are 2 amazing pieces of dancemusic!

the mysterious yet prolific berliner, lars wickinger, returns to living with this fantastic new ep. three solid yet mesmerising and catchy dancefloor tracks. since his last visit to the label lars has been refining his sound even further. releasing on more trendy labels than you can shake a stick at and even investing in real life hardware! oh yes hardware! remember that? the awkwardly titled alicia @ the wonderland is a tight, rolling, pleasing tease of a song that finally delivers in superb style - one you have to play all the way to the end! when that vocal drops, oh my, dancefloor craziness for sure. greenland is a tight bouncy number with an infectious groove and well placed vocal snatches and more than forgivable sax samples. the swing side of the moon somewhat lives up to its name with it s swinging dark vibe - perfect b2 material. classy stuff all the way through.

nymfo has been a part of d&b for well over a decade. over the last 12 years, nymfo has been immersed in djing, in 2005 he won the best dutch d&b dj then went on to win the same title again in 2007. steve survival is a solo production unit and has had many releases on vibez, quarantine, horizons, play music, renegade hardware, critical, dnaudio and shogun ltd. it has had dj support from alix perez, sabre, storm, fabio, phil source, survival, marcus intalex, alley cat and zero t to name a few.

analogue rules !! >pay the toll< e.p is the new statement of restoration records. this e.p has been produced only with hardware equipment, no computer have been involved in the process of the creation of the music, its the fruit of the interaction between man and machines, its the exploration of a moment. music is a sacred thing.

the wishmaster continues his adventure with the inevitable sequel, >silence surrounds me<. fulvio teamed up with promo to deliver the sound of silence, hardcore style. the title-track comes with its own form of energy, driven straight from the legendary 909. force feedback through stacks of kicks and percussion. the deafening music continues with >gun in the club< and >cant stop me<. two fresh results of insomniac hardware abuse for todays electronic generation. now playing at sound systems worldwide.

boxcutters work, due to its bass-led and rhythmically 2 step nature, is often categorised as dubstep, although in style and idiosyncracies has more in common with idm artists such as squarepusher and ? ziq. together with kinnego flux the belfast based band/ensemble. funk and soul music with electronics using instruments, vocals, computers and hardware synths and modules.

the westbay family spreads its musical wings on the fifth release for their international label. signing up renegade hardware front man, loxy, whos teamed up with one of hungarys finest exports, matt u, to create a full on modern jungle smacker! jumanji is all about the tribal beats and incessant bassline that grabs you by the balls and doesnt let go. on the flip matt u goes solo with charger, full of moody breakbeat pressure that adds another flavour to the westbay palette.

get on board of this electro-driven starship for a journey through time, twisted in space ...

after 17 years of working together, tejada & leviste are back in the studio again putting their modular synths to good work. m tracks (m as in modular) features 4 analog workouts in varying styles. m track 1 features a melodic deep, yet driving track reminiscent of the duos best known work. m track 2 and 3 showcase a trackier sound focusing on basic elements while m track 4 turns in a much more experimental direction. the approach to this ep was a very fun, hands on process. analog sequencers are used to drive the various modular synths and their components. this process allowed for a more organic feel as the unstable electronics change over time as well as the manual changing of parameters over time. systems used include doepfer and frostwave sequencers, and modular systems consisting of cwejman, doepfer, harvestman and bananalogue modules. analog drum machines aided in the rhythms, however m track 3 was generated from pure modular hardware including the drums.

from a warehouse loft in underground detroit, david wulle and andy garcia are back with a machine driven 4 track ep. stark analog beats with sneaky synth noises as this crew is all hardware. reverbed energy highlights the first cut as does the resonating rhythms. limited rerelease

personal jesus getting the 2008 hardware treatment!!

hardware rework of coldplay!!

nice price deal !!! funky house overhaul by dj hardware

funky 2008 house rework by hardware

incl mixes by hardware and dj perj feat. fabian bates

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

tribal proggy two tracker oncl hardware remix

zürich ohne styro ist wie new york ohne woody allen. der umtriebige schweizer mit federleichten, bleepigen und treibenden hardware-eskapaden, die nicht ohne wirkung bleiben

a new vinyl sublabel from eintakt, hot content 01 is produced at the eintakt studios berlin from the einklang freier frequenzen duo telly quin and plastique. the special mix of analogue and hardware producing makes the unique sense of hot content. the hot content vinyl series will be covered in a special grafik design by laura weider.